Review: Transformer #31

Transformer #31 by IDW to describe it the war is over. I’ve been leery of Transformers since the Armada series that was released by Dreamwave. Initially as I started reading I wasn’t too sure it’s mainly a flashback story. It starts out the war is over The Great War, Chaos, everything is peaceful and society has been rebuilt anew. The young ones are asking stories of old from elders and one of those elders happens to be Ironhide, one of my favorite characters. Later is a celebration of remembrance of the hero of past Optimus Prime and others. Ironhide is asked to speak, but if you know him he is not much for speeches since he's more of a fighter. He still believes the Decepticons are still out there and are not truly gone.

TRANSFORMERS_Ongoing_31_cvrBThe best part of this book is the art. The cut scenes to the battles are amazing I would love to have them on the wall of my man room. The colors are vibrant and capture the Transformers G1 series (not the movie) in full action. It reminded me why I love Transformers and why I picked up the reboot from Dreamwave series 1 and 2.

This is a pick up for the cut scene art but nothing else more. The story is nothing much too it and a filler to what is happening next year. After this is the special one shot The Death of Optimus Prime commemorating 125 issues involving Optimus.

Score: 2/5

Review: Betrayal of the Planet of The Apes #2

Betrayal of the Planet of The Apes #2 from BOOM studios came out this week. As I said in the review of #1 I was looking forward to see how the story progresses. It moves along very well and adds to the story. It didn’t disappoint from the good start the first issue had. Flashback 15 years General Aleron is heading to the caves after Lt. Varus who has killed the humans and disobeyed orders. Aleron tells the rest of the soldiers to head back because he will deal With Lt. Varus alone. Back to present day Aleron is being arrested for the murder of Varus because of what was discovered in the caves. Aleron tries to escape which is full of action, running and stealing horses but gets caught in the end. He is put to trial and found guilty of break the first rule “ape does not kill ape” and is sent to the reef. Dr. Zaius is starting to question why 15 years later this all comes to light and is off to his own exploration of the site where Varus’ skull was found with the bullet hole. The soldiers are trying to find the human Cato was training to talk because he has witnessed what happened to Dr. Cato. The human has found an ally to tell the story too.

Betrayal-of-the-Planet-of-the-Apes_2-665x1024The story moves right along without skipping a beat no long pause or getting lost. I enjoyed how it progresses and how all the characters develop and the twist in the plot that are starting to show. It’s very well written and can stand alone. It does leave a cliffhanger to progress the story into the next book and what do certain apes want with Aleron.

The action in the art is captured very well and flow progressively well with the story. I t capture the nostalgia of the Planet of the Apes movie in the 70’s. There still is a lot of attention to detail which is awesome. The coloring and shading add depth to the landscape and scenes of action.

Overall the book adds to the existing and progresses the story very well. I still recommend it to those who want a mini-series to read. I you can find #1 pick it up set up this book perfectly and #2 feed off #1 perfectly. I can’t wait to see how it ends and so far doesn’t disappoint.

Score: 5/5

Review: Heart #2 (of 4)

I wasn’t a big fan of the first issue I'll just throw that out there to begin with. In fact it really rubbed me the wrong way. The second issue wasn’t as bad, but I think that scene from Scott Pilgrim vol 1. Says it all when Scott says, “So boring” after reading an email. That was literally what I said after finishing the book. It was boring. There were no peaks and valleys to this story it was just guy wants to do this thing and hey wouldn't you know it, he gets to do this thing. I don’t mean this offensively, but it was like a child wrote it. There is no conflict for the main character in any of these pages and in fact the biggest thing he has to overcome is a shitty tattoo and quitting his job due to his MMA haircut. Those aren't conflicts, they’re bad decisions that you've made and now how to live with. The story picks up from Oren’s first fight as an amateur fighter, when last we left him he was getting his ass handed to him. Low and behold he turns it around and comes out on top to win his first match, then his next four. Then he goes pro and wins that too. Then he spends all his prize money on a rooster tattoo. Do you see how I keep saying “Then he” at the start of each sentence? That’s due in part to how the narration is, it’s as if writer Blair Butler wrote the next panel with no clue as to what would follow it. The story and narrative are so mediocre that they become so beyond average making it frustrating to read. This is the most average/safest comic possibly ever. I wouldn’t be surprised if a lot of people end up liking it since there are no other MMA comics out there (that I’m aware of), but this book isn’t doing the genre any favors.

heart02_coverLet’s complain about the art for a bit shall we? It’s okay, it does what it needs to do and gets the job done. Again, it’s very average. I mean this is a book about fighting and yet every fight is some of the most boring pages I’ve ever looked at. I don’t feel the excitement that the character is describing because nothing on the pages shows me that excitement. Also when they flash between the different fighters there was little to no difference between them and every opponent looks the same. The only one that stood out was the old guy with “Nancy” on his chest and only because I thought it was terribly stupid to have “Nancy” on his chest.

Honestly if you’re going to pick up a book about fighting this week pick up The Strange Talent of Luther Strode. It’s also from Image and it’s a far better story that actually understands the art of storytelling. All that this book proves is that just because you can talk intelligently about comic books does not mean you understand the craft of storytelling which is very apparently missing from this book. This is the second issue and I have no idea what the point of this series is. Does Oren’s brother die or something? Does he have a fall from grace? Really I have no idea why I would check issue three out unless I want to continue seeing everything go this guy’s way.

Score: 1/5

Writer: Blair Butler Artist: Kevin Mellon Publisher: Image Comics Price: $2.99

The New 52: Dustin's Picks

In conjunction with the latest podcast here’s my end of the year list of the best, the worst and the guilty pleasures of DC’s reboot dubbed The New 52.

The Best

1) I, Vampire

I Vampire #2

Yeah that’s right, this is the best DC book right now and it has nothing to do with the normal DCnU at all! If the first two issues didn’t hook you on this love letter to all vampire stories, then the hook at the end of the third issue should have. I, Vampire is to the vampire genre as The Walking Dead (1-50 only) is to the zombie genre. If you’re not reading it then shame on you!

2) Wonder Woman

Wonder Woman #3

Let’s be honest the first issue was just good, but the next two were amazing and reinvented Wonder Woman in a way she’s never been done before. The second issue was boom she’s a Greek and Zeus’ daughter; then the third issue had her giving the Amazonians the finger and denouncing her name! Seriously this is the best she’s been in years! She’s so good I don’t even mind that fact that she doesn’t have pants (actually I still do).

3) Demon Knights

Demon Knights #2

This book is crazy and I have no idea how it can keep the momentum it has right now, but I don’t care. It’s good and it uses characters that have resided on the “C-list” in the DCU. Knights is almost a team book, but at the same time it just feels like a huge story that you’re reading and these happen to be the players for that particular page and because of that I love it.

Honorable Mention – Grifter, Supergirl and All-Star Western

The Worst

1) Superboy

Superboy #2

I know everyone probably thought I was going to go with either: Green Arrow, Omac, Hawk and Dove or either Legion book, but those were all too easy. They go without saying that their terrible. Superboy is a whole different suck. This book was basically an expanded version of the Young Justice cartoon and frankly came across as if an editor wrote it. The fact that it ties into Teen Titans forces this story to be generic and feel like a tie-in book, meaning that everything it does is just to further the story in the other book.

2) Batman

Batman #2

I know we said we weren’t going to list them, but after removing the obvious ones that I wrote off at the beginning I had to put this one on. Seriously, why does Batman suck? I’ve never cared less about reading a Batman book in my life. This book should have had everything going for it, up and coming writer hot off his run on Detective Comics. The best Spawn artist ever doing mainstream work for the first time ever, but alas it was crap.

3) Flash

Flash #3

Yeah, mother fucking Flash is on this list. Man that book was so disappointing. Out of all of the DC characters Green Lantern and Flash are my favorites so to not be able to read a Flash book because of how terrible it is… is just heart breaking. I will give this book a shot once the creative team finally changes, until then—no thank you.

Honorable Mentions – Men at War, Green Arrow, Legion Lost, Legion of Superheroes, Omac, Hawk and Dove, Batgirl… yeah Batgirl.

Guilty Pleasures

1) Catwoman

Catwoman #3

I know, I know, but I can’t stop reading this book! It’s completely anti-feminist and yes Catwoman would totally be a sexual predator if she were a man, but it’s a train wreck I can’t stop looking at. I just have to see how far Judd Winick is going to go in order to please the fans. Seriously when’s her first threesome? Soon?

2) Voodoo

Voodoo #2

You know what? I think DC is making a mistake taking Ron Marz off this book. Sure it's just Species like Kevin said, but how can anyone not read this book and just want to see what the hell happens next. If Catwoman is a train wreck, then Voodoo is the plane the crashed into! There is just something stupidly fun about this book and yes its a bit slutty, but let's be honest there are a lot of male comic readers that are looking for this type of book. If you don't like it buy one of the other 51 titles available, it's not like you don't have other options.

3) JLA

JLA #3

Every fiber of my body says that I should be disgusted with this book and its blatant fan service… but I can’t help but really enjoy it. In fact I wish more of the books took place in the same world, because really they don’t. JLA is fresh and it honestly feels like a rebooted DC whereas a lot of the other titles, even the new ones, just don’t. I don’t love everything about this book and sure it’s destined to mediocracy once the creators leave the book, but for now I’m enjoying things like Superman saying, “You’re strong” and Wonder Woman responding, “I know.” It makes me gitty even while I hate it.

Honorable Mention – Mister Terrific

We’ll there you have. These are my picks for what you should be reading and what you shouldn’t be reading as the year closes on the New 52. Sure we’ve got one more month of newness, but really by the third issue you should know whether a book is a keeper or not.

Interview: Vince Hernandez EIC of Aspen Comics

Fathom is the flagship book for Aspen Comics and actually takes it's name from the lead character in the Fathom series Aspen Matthews. They've recently announced a new volume of Fathom: Kiani in which the character that created a ripple effect in the Fathom universe is back... and alive after being torn apart by Asepn. I got the chance to ask Vince some questions about the new series that he's writing with artist Oliver Nome and few questions about Aspen in general. What I did not get to do was ask one of my trademark questions, but that's what happens at the end of a long crappy week. Regardless here's the interview: Comic Bastards) So the obvious first question that you probably can’t answer is: How the hell did Kiani survive being torn apart?

Vince Hernandez) You’re correct, I can’t reveal how Kiani survived Aspen tearing her apart at the end of Fathom: Volume 3—in specifics. But, I can say that any Fathom fans out there can flip through their collection of Kiani appearances such as Dawn of War, Fathom Volume 2 and the first volume of Fathom: Kiani to find the answer to that question. The truth is, the underwater race known as the Blue that Kiani belongs to possess many undiscovered secrets and abilities that have—forgive the pun—not come to the surface yet. In this new Volume, we’ll begin to connect those dots. Maybe it’s the editor in me that will always respect the source material, but I get a big kick out of using past storylines to find connections that I can make work for the present continuity. Here, I simply went back and found a key moment in her history that I could use to elaborate and expand upon.

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CB) What’s the gist of the new series and will it tie into any of the current Fathom series such as volume 4 or Blue Decent?

VH) This series focuses on Kiani’s emotional recovery after being left for dead by her own people, but also her own rise to power as you will come to find out. She’s scarred and torn from the discovery that her father is Killian, who fans know as Fathom’s principal villain, so there’s a lot of history that Kiani is trying to process. But, in the meantime, she also has a plan for how she sees the future of her own race and how to treat the human race. This series will focus on her quest to take over, and what she sees as right and wrong, which will be much different than what The Blue are used to--and certainly what the humans are used to—they should be afraid. Very afraid.

Blue Descent is more of an origin tale that takes place in the past, so there are no ties to that mini specifically, other than that they both take place within the scope of the Fathom universe. However, the current Fathom Volume 4 storyline runs parallel to Kiani’s tale, and there events in this new series taking place in the present continuity where Fathom Volume 3 ended, so the characters and events from the series proper will definitely continue into Fathom: Kiani. As of this writing in Fathom, Aspen is off on her own adventure trying to survive as a mixed Human/Blue, in a world that is aware of the existence of the Blue. In Kiani, we take a closer look at the Blue’s side of things under the surface. But both storylines will eventually lead back into each other—in very dramatic fashion, of course.

FATHOM-KIANI-2_promo

CB) What’s the goal of Kiani? What will it add to the world of Fathom?

VH) Kiani’s story is just too big to be able to tell as a supporting character in the main series. She’s one of the most popular characters in the Aspen Universe so with the first volume, fans were anxious to see her in her own adventure. Now, after the events of the past two years in that original first series and what happened to her in Fathom: Volume 3, it’s a bit of a rebirth for her after her untimely death at Aspen’s hands.

CB) Now I don’t mean this one offensively, but how much gas is left in the tank for Fathom? Is there a bigger story that the mini volumes have been building towards or is it just based on what new creators come up with?

VH) No offense taken, it’s actually a very common misconception, but I think longtime Fathom fans and hopefully new readers can see that we’ve only just begun to crack the surface of what stories and adventures we can tell under the surface. When Michael Turner first created this series, he very wisely started with this very personalized story with the hint of something far greater in scope to come. I feel we’re just adding to that foundation he’s already created.

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CB) Are you guys ever planning on doing a cross-over with Fathom and any other Aspen title?

VH) No, we’d like to keep each Aspen universe separate for the time being.

CB) You’ve written a lot of books while also working as the EIC, is writing a release from the day to day as EIC of Aspen?

VH) That’s an excellent question. Yes, absolutely. The editorial aspect of comics is always a huge amount of fun—but it’s also extremely stressful with deadlines and talent to manage on a daily basis. I truthfully find the editing job infinitely much more difficult than the writing job. Maybe that’s why I’m so tough on our writers if they’re late on a script, haha! Kidding. For me, to be able to write stories as well as edit them has been a blessing. And plus, I feel I have nearly a decade of editing and comic-writing experience that many comic writers might not be fortunate enough to have because of the freelance nature of their craft. I’ve been surrounded by comic book projects full time, 24-7 since I was 17, so when I write, I can apply these techniques and what I’ve learned from so much time. It’s a great blessing to have both positions, one I’m thankful for everyday.

CB) Your part in the Executive Assistant crossover with Lotus was one of the best first issues of the individual minis, but the next two issues seemed to lack the amount of detail the first had. Was this in part due to the constraints of taking apart of the overall story of the cross-over?

VH) Yes and no. First, thanks for the compliment; I was very proud of how that first issue came together. Admittedly, the second and third issue were more plot rather than character driven because it did have to fit into a larger scheme of things, so that might be where some of the lack of detail you describe came in. It is difficult when you have a large event like that to really spend as much time as you’d like with each principal character. Yet, I never felt like these aspects hindered the story. I intentionally left the first issue heavier with more character moments so the audience would find an attachment to Lotus. The next two issues were always going to be where the plot really kicked into overdrive. But overall, I was very pleased with how that series came together, I think Lotus played a memorable part in the overall crossover and I was happy to be able to contribute.

CB) Idolized was announced for next year what other new series can we expect in 2012?

VH) Yes, we announced Idolized, a new superhero series by David Schwartz and Micah Gunnell, which will be out in the spring and it is looking amazing. We also will have Greg Pak and Tony Parker’s Dead Man’s Run, which is our first release out of the gates in 2012. It’s a prison break from Hell story that is epic in scope, something fans of Pak should expect. We also will be releasing Homecoming, a supernatural, action-adventure story set in the frightening world of adolescence and high school by Executive Assistant: Iris creators David Wohl, Brad Foxhoven and Michael Turner and written by Scott Lobdell. Also this summer, we’re releasing our very first ongoing series, Executive Assistant: Assassins, which I’ll be writing as well with a rotating cast of Executive Assistants appearing throughout. We also have our current crop of titles that will still be going on through 2012, such as the sci-fi action-adventure series Broken Pieces by Mark Roslan and Micah Kaneshiro, the horror action-adventure series, Haunted City, by Chap Taylor, Peter Johnson and Michael Ryan. And of course, our red hot steampunk mystery, Lady Mechanika, by superstar Joe Benitez. So our 2012 is looking exciting already.

SHRUGGED-00b_Gunnell-2x3_1

CB) Shrugged volume 2 was announced this week, what other Aspen series can we expect to return in 2012?

VH) Shrugged, by Frank Mastromauro, will be back this Spring and it’ll be twice as fun as the original series was, as well as Kiani and of course our two flagship titles, Fathom and Soulfire, will both see new volumes following their current series’ finish. I also have plans for my own series, Charismagic, after this initial volume as well as in the digital domain, and other avenues I can’t reveal just yet.

CB) Dellec concluded this year with an open ended conclusion. Were you happy with the way it ended and the series in general? When will we see Dellec’s return for a follow up series?

VH) Well, there was certainly a lengthy delay on the final issue, which was probably the only disappointment I had with Dellec. I think the final issue was very satisfying because it saw all of the story elements we had in play draw to an end. Plus I think the artwork on that issue is simply breathtaking. But, at the same time, as you stated, we had an open-ended conclusion that hints at future Dellec stories, which I can say are certainly in the works.

Review: TMNT #4

Teenage Mutant Ninja Turtles #4 released by IDW written by Kevin Eastman and Tom Waltz is a story of four turtles that were test animals and the rat who takes them in. The issue wraps up one small story line and leaves the door open for a bigger one. I enjoyed it and can’t wait to read more. The story goes Raphael and Casey Jones was out busting up trouble when trouble finds them. Old Hob, the cat that separated Raphael from his brothers, and Hob’s gang are out to get Raphael. Hob brings up old memories for Raphael and how Hob tried to kill him earlier and separating from his brother more than a year ago. Out breaks the brawl. Flashback to the break in Dr. Stockman is trying to assess the damaged and the lost tech and research. Dr. Stockman is worried about asking General Krang for more mutagen when an opportunity present itself for an answer. In the police station April tries to explain the break in to the police that ninjas broke in and stole the stuff. Now moving forward Old Hob wants Raphael dead to take to Stockman. Just when all hope is lost Casey in knock out and Raph is almost knocked out cold here come Leo, Don and Mikey.

TeenageMutantNinjaTurtles_Ongoing_04_Preview-1The story finishes what was built on the last three issues very well with the search for Raphael. It also set up a larger story which is what I’m really excited for. I enjoyed the book and can’t wait for more this one isn’t the strongest of the four but can still hold its own. Through the four books so far you can see character development and growth and not feeding on nostalgia of the 90’s when The Turtles were at their peak. The story captures and reintroduces it to young and old.

Now to the heart of issue four is the art. The art is great and captures all the action and the story. The art portrays the action and flow from panel to panel. The layout of all the art just helps the flow of the story. There is a few panels I wouldn’t mind having as a poster. Taking a look back you could get most of this book without the dialog which to me is awesome. The coloring fits well to set mood and time of days in the back ground scene. And yes I still love the gritty art style. It all fit together.

Overall issue four fit perfectly with the first three and can’t wait for the rest. It finishes off the small story of Raphael and set the tone for the bigger picture. I look forward to reading more and hope it doesn’t fall off like some of the other reboot cartoons. I recommend it to new readers of TMNT and old fans.

Score: 4/5

Review: Nix Comics Quarterly #1-3

Something that has always fascinated me is the connection between comics and music. There have been musicians that have written or created comics and of course there are plenty of comics about the music industry in general; 27 and CBGB to name a few. Then there are books like Blue Monday, Hopeless Savages and Scott Pilgrim that infuse music into their books. Like I said I find it fascinating when the two worlds come together, so it’s not surprising that I enjoyed NIX Comics and their quarterly tales. I was sent the first three issues from Writer and Editor Ken Eppstein and like a total ass hat, sat on them forever. I think initially I was really put off by the dialog in the first tale of the first issue. Something about it just bothered me. I think it’s the curse of reading too much, that eventually it’s harder to be surprised. By the third page I knew the outcome of the story and although it was clever, I just didn’t move on past it. Little did I know (I should have it had a table of contents) that it was actually a book of short stories and that I was only one page away from the ending of that tale. So I picked it back up and told myself I have to read this book or I’m just a jerk who got a free comic and frankly I’m glad I did.

Nix Comicsd Issue #1 all graphicsThere are some reoccurring characters in the issues and my favorite had to be “Bus Stop Ned.” Ned is a strange bird that rides the bus and thus sits at the bus stop a lot. Each tale is only one page and so far always by a different artist, but they strike the right cord with their humor. In the first issue Ned is singing a Johnny Cougar song and the man next to him gets annoyed and smugly comments on the song saying John Mellencamp. Ned goes off on him saying he’ll never call him that and bang end of the panel. It’s simple; it’s funny and very in the musical “know.” There is also a running story about a band of holy men of sorts that fight vampires. I really liked this story as well because it had a very cool horror comic feel to it and great narrations. Honestly at times you wouldn’t know that Ken was writing all of the stories (there are a few guest writers)

Probably the best standalone story was in the third issue about a record store owner that only opened the shop to show off his collection. He’s contacted by a man who’s interested in selling him his collection; he ventures to the basement of a building to check out this collection to die for and finds a warehouse of vinyl records. It’s a fun story that has a great ending.

In general Nix Comics provided a solid outing with each issue. It had a range of stories from humor to horror and two strong themes that ran throughout the book: The devil and music. Now I’m not saying like “worship the devil” in fact there is even a joke about that in one of the stories, no I’m talking about the devil basically running the music industry and I liked how Ken brought it up in different tales. It made the stories feel like they were all happening in the same world rather than a new universe being created for each tale. If you’re interested in music and comics then check out NIX Comics online and grab yourself an issue. Also the fourth issue is releasing this month so keep that in mind as well.

Score: 3/5

Writer: Ken Eppstein Artists: Various Publisher: Nix Comics Price: $5.00 Website

Review: Man From Space #1

Man From Space is as Indie as a comic can get as creator/writer/artist Marc Jackson self-published all fifty of the first issue on his own. That’s right, that’s how limited this book is right now. Of course Marc could always do a second printing if needed so don’t go passing on the book due to its limited numbers I’m just giving it “Indie cred.” I can only describe Man From Space as a comedic romp through space in the vein of Axe Cop, its fast paced humor and organic flowing story make for a fun yet quick read. The story follows, get ready, a man from space. I know I shocked you on that one, but really he doesn’t know who he is so he’s just a dude in space for now. His goldfish Michael crashes their spaceship due to his lack of hands and basically knowledge of driving which forces the duo to explore the planet they find themselves stranded on. I know you’re asking, “Does Michael talk?” and the answer is kind of. Only our spaceman knows for sure what he’s saying as we’re only privy to “Bloops” and “Shloops.” Soon enough they run into a pinkish alien and greet him by going into attack mode which is basically just throwing Michael’s fishbowl at the alien’s head. The alien turns out to be friendly and goes by the name Whemblo; he was on his way to help them after witnesses the crash. From there the trio faces many dangers and continues to meet new friends along the way.

MANFROMSPACE_COMIC_COVERThere are a lot of characters in this first issue, I mean a lot and if it were any other style of story I would say that as a negative. For instance in superhero team books the first issue is usually this gigantic team coming together and after the third character you’re ready to yell, “Enough!” Well in Man From Space I can’t help but say it’s in the vein of Axe Cop because the story shifts every few pages. The characters run across a new character that suddenly changes their course of action due to some danger they cannot face. Even when our main character is given a particular destination to go to and is only miles away, he sets course to leave the planet. I laughed and had a good time with the book, basically waiting to see what new crazy scenario the characters would be pitted against on the next few pages.

The art is digitally drawn from the looks of it and has an animated style. I could see it being adapted in too shorts to promote the issue with the right voice over. It’s very simple and basically uses bold colors for everything with very little detail, but it works really well for the story. It’s simple, but I enjoyed the way it looked as it played to the humor of the story. Even though it’s very simplistic art there is still a lot of skill and craft in the art work. For instance the lighting for objects is spot on and there is reverse lighting as well. For instance when the dark background goes white and the characters and settings go black. Like I said, the art work plays off the story very well.

I didn’t fall in love with the book initially; it was good but obviously had some roughness to it. The comedy hits too quickly barely leaving you the chance to forget the last joke and in general I wasn’t too sure where the story was going. But for an indie self-published book you could have fooled me due to its production value. I would definitely pick up the next issue, but I don’t know if the series would be for everyone. I think it will find its niche in comics, but it’s hard to see it being widely accessible for everyone. If you’re curious and hopefully you are, then you can buy the issue at Marc’s site www.manfromspace.co.uk and yes he does ship to the states from the UK so check it out in print. But soon enough you’ll also be able to get the book digitally on DriveThru Comics and on Graphicly so keep an eye out!

Score: 3/5

Writer/Artist/Creator: Marc Jackson

Review: Animal Man #3

Review by: Connor Russell As I have said before with DC's reboot (will it last, only time will tell) I decided to give them a chance. I was wanting something a little less than the normal like Batman or Aquaman. I was tossing up between Swamp Thing and Animal Man and took the latter coz a mate recommended it. I am glad that I picked this up and so far, three issues in, I still wanna collect the series.

Buddy Baker and his daughter have found the Red Place. This is the physical place of The Red, the life force Buddy taps into so he can use the power of animals. Buddy learns from the totems of The Red that he was never an avatar for the animal world, it is in fact, his daughter. The three weird mutated beast things (The Hunter Three) are going after Buddy's wife and son, only to then attack him and his daughter in The Red. A few more things happen but I don't wanna give it away.

Animal Man #3Jeff Lemire is the writer for this issue and he has only improved from the two previous issues. I have never read Sweet Tooth but because of this I now want to. It is the bizarre world of Animal Man that keeps me drawn to the series that Lemire is able to pull off. He intrigues you without giving too much away, as it is obvious there is so much more that can be revealed but you are left wanting more. Bringing you back. It is a weird place between these pages but not enough to deter you. The pacing is well done and I can't wait to get my hands on the next issue that's for sure.

Travel Foreman continues to do the art. His take on the amalgamated creatures of The Red is amazing. I dunno how he does it but wow, they are disturbing but you cannot help staring at them for a while and recognizing all the different animal parts. And the cover? Just look at the picture, it is awesome!

I honestly cannot find anything wrong with this series. If you have not yet picked it up, then do so coz you're missing out on what could be one of the best series from DC (let's hope I don't get proved wrong and it fails). You will enjoy it if you're a fan of Lemire's or Animal Man. Even if you are normally a dedicated Marvel fan, seriously check this out.

Score: 3/5

Writer: Jeff Lemire Artist: Travel Foreman Publisher: DC Comics Price: $2.99

Episode 8: They're Not Sidekicks -- They're Young Superheroes!

Another week, another CBMF Podcast! This week the boys ponder if any of the New 52 Bat books are worth a shit. They also chat about Scott Snyder's "Severed" and if it's really worth a read. Someone brings up the hard work of the brave men and women in the indie comic scene. Along with that, you'll hear Dustin and Kevin gush all over the classic film Escape from New York and celebrate their recent Glyde sales! All this and more await you now--Comic Bastards ARE GO! Cosplay-Fails-batman

This Kicks All Kinds Of Ass: Mister J Vodka

I've had this picture for over a week now and I just couldn't find the right place to use it. I thought about putting it in my gift guide, but it didn't seem right. Then I missed Art Friday and replaced it with Street Fighter Saturday and it seemed a little weird to put it there as well. So I said screw it, it's getting a solo posting! tumblr_lvdsww3Wj41qzx87jo1_500

Mariarty #7 Solicit and Trailer

Alright kiddos it's been a slow week for comics for the most part. At least slow in the realm of things I care about (Sorry Marvel coupons, but I just don't care). I enjoyed the first series of Moriarty and I'll be catching up on the book this weekend, but until then check out the info on the next issue and the trailer.

MORIARTY #7 Story DANIEL COREY Art MIKE VOSBURG and ANTHONY DIECIDUE Cover ANTHONY DIECIDUE

Moriarty #7 (1)

Diamond Code: OCT110560 Pages: 32 Price: $2.99 On Sale: December 7th, 2011

Description: “The Lazarus Tree,” Part Three—Veteran artist Mike Vosburg joins the creative team for this link in the Lazarus Tree mystery, which finds Moriarty reflecting on a case in 1880's Kingston, Jamaica. Answers are revealed to present-day questions, including the identity of the sniper that has been murdering residents of Kyauktada and stoking the fires of rebellion.

http://www.youtube.com/watch?v=9XXdxlFVfdY