Batman: Arkham Origins Has A Season Pass

Well I hope you like a shit ton of different looks for ol' Bats because you're going to get 'em! For $19.99  you'll get: Gotham by Gaslight Batman (wut), Brightest Day Batman ( Darkest Night was better but whatever), the New Millennium skins pack (shrug) and some Infinite Earths duds. Then there is an all-new story campaign with a mode called, "The Initiation", where the player will rock Bruce Wayne before he becomes Batman and square off in an ultimate duel with Master Kirigi, the man who trained Bruce from Batman #431. Meh.

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Pizza Time! I Mean Trailer Time: TMNT Season 2

http://www.youtube.com/watch?v=UpA2GDiRl14 Well I'm looking forward to the new season of TMNT and I'm guessing that Samantha is as well. It's actually been the best incarnation of the show since the original animated series. I'm actually thankful the Nickelodeon put all their eggs in the TMNT basket because they delivered a great show that's entertaining for new and old fans. Here's some promo art for the season as well that reveals Casey Jones!

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Review: Six-Gun Gorilla - Long Days of Vengeance #2

Did you know that there are TWO Six Gun Gorilla books out in the wild? Now I know what you’re thinking, “dude just shut up and tell me about the Gorilla book.” Okay, Okay, I give you my pick of Gorilla books, Six Gun Gorilla: Long Days of Vengeance. I choo-choose you! In a quiet western town a young gun slinger flies through a second story window and lands on the empty street. As he snaps to his knees, he fires rounds back into the window from his six-shooter! Then he takes a moment and pulls a knife from his chest and realizes there are more than a few men in this gang of thugs that want him dead. Doing everything he can, the young cowboy flees for his life.

On the open road Abby and her father’s traveling circus travel to their next location. As Abby enters one of the caravans to fetch supplies, she discovers the wounded cowboy. Later, after receiving medical attention, the young man awakes to find the massive gorilla Kuma watching over him. After a misunderstanding between the two, Abby explains that Kuma is one hell of a smart gorilla and only had good intentions. As the circus rolls into town and begin to set up, the young cowboy receives a second helping of medical attention, he makes plans to leave. Before he can, the unruly group of gentlemen that were pursuing the cowboy roll into town and make their presence known.

Six-Gun Gorilla - Long Days of Vengeance #2-1 copyI really like the old west setting that this particular gorilla book is working with. That and the fact it’s a very intelligent gorilla on the brink of grabbing a bunch of guns and going ape shit doesn’t hurt either. I will say that there is a slow burn to that angle but the way that this issue wraps up; I like to say Kuma is going to go bananas in the next book but I’m not too sure. But he needs to. No, I’m serious.

If I have to be picky, the art hits a few speed bumps towards the end of the book. I can’t tell if it was rushed or if there was a sudden change but it’s far from a deal breaker. As for the covers, they are always top-notch.

So far Six Gun Gorilla: Long Days of Vengeance is pretty damn entertaining and if you got to give your money to any gorilla comic book with six guns, give it to this one.

Score: 3/5

Writer: Brain Christgau Artist: Adrian Sibar Price: $1.99 (Digital) Release Date: 9/19/13 Website: http://blog.sixgungorilla.com/

Comic Bastards Toolbox: Deadpool

You’re not going to like this idea one bit so just go ahead a brace yourself. For this edition of the Comic Bastards Toolbox I’m not pulling out the tools to fix Deadpool… I’m going to kill him. I did say that you wouldn’t like it.

Here’s the thing about Deadpool… he’s everything that’s wrong with comic books right now. People that aren’t a fan of Deadpool are like a unicorn and yet Deadpool is never in the top ten of comics, his video game wasn’t a breakout hit and his movie is in limbo at Fox. Yet Marvel finds ways to exploit his popularity any way they can because he moves product.

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He moves merchandise. Just look at all the variant covers that Marvel pumps out with him on it and a trip to WeLoveFine.com have you wondering why they don’t just make an off shoot site of just Deadpool t-shirts.

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My biggest problem with Deadpool is that Rob Liefeld created him and receives a royalty; my second problem is that he’s never funny. NEVER.

Deadpool’s comic does okay. It does well enough that Marvel never has to cancel it, just reboot the numbering when needed. He’s surpassed being a comic book character though which makes his comic irrelevant.

Think of it like this, how many Mickey Mouse cartoons have you watched in your life? Not many, is the answer that doesn’t involve you lying to yourself, and yet that mousey fuck moves a ton of product. That’s all he’s good for. Sure Disney has actually released new cartoons starring the mouse, but at the end of the day that’s just to squelch the people who would say he’s just a mascot. He, much like Deadpool, is just merchandise.

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Now sure some of that product could be a comic book, but because his sole purpose has become t-shirts and toys his presence in comics is harmful. People expect less from him. “As long as I laugh it’s okay” seems to be the attitude with anyone that picks up the series. Well I read it and get to the end of an issue and breathe a sigh of relief that it’s over. Reading that book is like being in a scene from Deerhunter and when I put the book down I know I made it another round.

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There you go, just kill the fucker and stop giving Liefeld money and continue putting him in cartoons, toys, lunch boxes and hey the Cosplayers will keep him alive no matter what so who cares if he has a terrible comic book limping around hogging shelf space for something that’s actually worth reading.

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You may still be asking yourself how this “fixes” Deadpool and to that I say I removed the lie surrounding his existence.

Mortal Kombat: Legacy II Has Arrived

http://www.youtube.com/watch?v=ydfGuagKcYM&feature=c4-overview-vl&list=PLZLTS4u9M_2rYRUMj5RoI016wS_JxRnGE The above video will actually set you up to watch the entire season! That's right they released the entire thing. I've only watched a few of the episodes so far, but I figured I'd do my part and spread the word. Enjoy!

Review: Godzilla: Rulers of the Earth #4

'Godzilla: Rulers of the Earth' features the King of Monsters going up against a wave of new creatures sent by aliens to make Earth monster-free to make it easier to colonize. What does that mean for the reader? A lot of monsters bashing into each other while humans comment on it, just like a Godzilla movie. Unlike a Godzilla movie however, we don't get the benefit of wonderfully dorky rubber suits and detailed models of Tokyo to smash, which seems to be the big thing standing in the way of a successful Godzilla comic. Apparently there have been some really good ones, even recently from IDW  (http://www.warrenellis.com/?p=14075), but the challenge remains in translating to comics a character that arguably works best on film. Now I used the words 'new monsters' rather loosely, to be specific they are new to the universe of the comic which to the best of my knowledge seems to be removed from existing Godzilla canon. For fans of the series, the comic is a who's who of Big Smashy Monsters, as the new characters are Godzilla regulars like Mothra, Rodan, and Destroyah. There aren't compelling human characters, staying true to the Godzilla formula, just a collection of slightly differently shaped mortals whose exposition is required to help sort out what's going one when Big Monster #1 hits Big Monster #2.

Goz_ROE_04-pr-1It's hard to tell how much of the writing is a tribute to corniness of classic Godzilla films and how much is just a product of bad writing. The dialogue is awkward, with occasional strange expressions that made me have to read certain bubbles two or three times to make sure it wasn't just my brain farting. It's difficult to tell if anything of consequence happened either, but I don't know what I should be expecting from a Godzilla book.

The art is serviceable and better than my two other recent forays into the dingy world of licensed comics. The human characters are rather bland and ugly, but the monsters look good and have character and excusing one or two panels it's easy to understand what is happening, an achievement when drawing a giant monster fight. It actually like artist Matt Frank wants to draw what he's drawing which is more that can be said for a lot of these kinds of books. Colorist Priscilla Tramontano matches the art well, with bright colorful organized tones.

Not being a hardcore Godzilla fan I can't really say whether the book does it's fanservicey duties. Are Godzilla fans interested in a serviceable book about the most familiar characters in the franchise slapping each other in static comic book form? Maybe, and the book is actually good enough to leave that question up in the air. The book does nothing for me as a non-fan but doesn't leave me in angry writhing like the reprehensible 'Robocop: The Last Stand' did. If you're a fan, maybe give it a go.

Score: 2/5

Story: Chris Mowry and Matt Frank Writer: Chris Mowry Artist: Matt Frank with Jeff Zornow Publisher: IDW Publishing Price: $3.99 Release Date: 9/25/13

Prepare To Be Ripped Off Online For Jins PC Hacker Glasses

Eyeglass manufacturer Jins PC teamed up with Ghost in the Shell: Arise at the Tokyo Game Show to reveal a vending machine full of special edition glasses that match new animated mini-series. On a side note this is the second product placement for the series, the first being Microsoft's Surface tablet. It makes me wonder if Ghost in the Shell is just that much of a powerhouse or if the producers found a way to squeeze some extra bucks into the production? Either way good for them. Apparently only the packaging was limited edition as you can buy them for Jins PC's site, but really you know that any die-hard is going to want the special packaging which is limited to 300... good luck Otakus. glass0

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Trailer Time: Kill la Kill

Yesterday I posted some details about Kill la Kill because of the simulcast streaming that the show was receiving. Well today we have a trailer and you'll see why everyone wants to watch this bad boy in about thirty seconds. It looks really cool so hopefully we'll be able to follow it and post some reviews along the way. http://www.youtube.com/watch?v=-ClQ7zkHtXY

Review: Battling Boy – Vol. 1

Battling Boy is the most important piece of work in the superhero genre in over a decade. Its importance to the genre is felt with its premiere, but until it’s widely available it won’t have had a chance to resonate within the comic industry. When it does it will be put up (or should be put up) on the shelf with such works as Alan Moore’s Watchmen and Frank Miller’s The Dark Knight Returns. That’s how important this story is to the superhero genre. It completely changes the expectation of independently produced superhero stories as it never once relies on a reference or an homage to anything that’s come before it. I’ve read and reviewed plenty of indie superhero titles and try as the creators may; there is one thing that basically unites a vast majority of them: they homage pre-established superheroes or an exact copy of their archetype, their world, even their history or usually all of the above. Often the creators are just presenting the reader “their take” on Batman, Spider-Man or an established team book from either of the “big two.” It’s not that this is necessarily bad for the industry or genre, but it does wear on a reader looking for a superhero title outside of that formula. I would have to struggle to count the series that aren’t just copies of other titles because they’re so few and far between.

My point with all this is that Battling Boy is unlike any other superhero title I’ve ever read. Perhaps others will read it and see some early influences of the Golden or Silver age of comics within the pages, but then that argument could be made for those other classic tales I mentioned in my opening paragraph as well. Battling Boy is fresh and interesting while paving its own way through the overcrowded capes genre.

The story begins in the city of Acropolis with children playing soccer in the street. The ball gets away from them and one little boy is sent to get it. He’s afraid to go down the dark alleyway because night fall is approaching and soon the monsters that have overtaken the city will be out. Sure enough the boy is captured by a member of the Ghoul Gang. They swarm the boys as the mother of our first captured son comes down to try to save him. Thankfully the cities hero Haggard West arrives and instantly kills one of the gang with his light-bulb-esque guns. He eyes the leader Sadisto and Sadisto eyes him right back. Sadisto calls out to his gang to put “Plan H” into effect. I’m going to jump ahead even though this opening scene is important and sets part of the stage for the story, but it’s so damn good I think you’ll want to read the rest for yourself.

Battling Boy CoverMoving on to the Hidden Gilded Realm we watch as a man returns with the head of Tharalaxus. He’s greeted by his wife and brother. He asks how his son is and his wife and brother inform him that “he chafes at the chains of childhood.” Today is a special day for his son and soon the trio is standing in a room containing the cosmos. The parents are there to pick a planet to send their son for his “Turning Day.” It’s very much like a Spartan ritual in which the boy will be tested. Earth is picked for him and out Mother/Wife makes the remark that they send so many heroes there, to which the father says that it is a planet built for heroes.

After that we see a similar scene of children playing with a ball, but this game is different from the soccer match earlier. Battling Boy is sent to retrieve the ball that’s gotten away from them and he runs into his father who is there to retrieve him. Battling Boy thinks that he’s there for his birthday which is tomorrow, but instead he’s there for the turning day. This scene is great because father and son’s reunion not only teaches us the boy’s name, but we learn that it’s not just a nickname… it’s a term of endearment from father to son. When he cups his sons face and says, “my Battling Boy” it’s soft and delicate, not aggressive and fearsome like the name implies. Eventually we get to the task at hand which is to bring Battling Boy to Acropolis. His task is to save the city from the monsters that have taken it over.

Now monsters, villains and superheroes are not wholly original on their own, but the characters and world that Paul Pope creates with them are. Battling Boy is given some tools to help him: a credit card with no limit, an apartment, a cape-cowl thing and t-shirts. I know you’re thinking t-shirts? Really? Yeah t-shirts with different animals and creatures on them to help him in different situations; it’s simple, but also incredibly clever. That’s the thing about this world it’s very clever. Your gut tells you that these heroes of the Hidden Gilded Realm are just a take on Norse Gods and maybe part of them are inspired by it, but they’re so much more than.

Their world and customs are their own and something that Pope has created. The city of Acropolis has a fitting name as it consumes all the land available to it, but butts up against water on three sides and mountains on the other. Nothing is left out of this world. There’s a military presence, a political aspect and of course the family aspect. Family is a large theme of this story and while Pope doesn’t hammer you over the head with it, he makes sure that you understand the importance on both sides of this story.

Pope’s art is some of his best. I’ve enjoyed his covers over the years, but I’ve been dying to see a fresh body of work that included his interiors. He does not disappoint with this story. His skills as a storyteller have grown to masterful levels. His detailed style which I’m sure some find to be too much is rather perfect for this story. The action is large and impactful and has a real sense of destruction to it. The cities, though different, come across as massive living entities that happen to house our characters and their people. The art is stunning and the paper stock only serves to make it more impressive. While I absolutely loved Pope’s artwork, Hilary Sycamore’s coloring brings it to a new level. Her coloring truly creates the world. The characters are living and breathing because of her coloring. The battles and fierce and destructive because of her coloring; she is the perfect complement to Pope’s artwork.

I’ve ranted enough about this book, to the point that it turned into gushing, but when I finished reading this book it completely changed how I looked at the genre. The thing is it didn’t ruin the genre for me because personally I’ve found superhero titles to be stale for a while now; rather Battling Boy gave me hope. I’m hopeful that other creators will see that you can still create new worlds and characters and that the same molds and structures don’t need to be followed month after month. I expected great things going into this book, but I didn’t know that it was going to be this incredible.

Score: 20/5

Writer/Artist/Creator: Paul Pope Colorist: Hilary Sycamore Publisher: First Second Book Price: $15.99 Release Date: 10/8/13 Website

Review: Look Straight Ahead (OGN)

Looking Straight Ahead is a story about mental illness. It’s a fascinating view into the mind that finds a suitable home within the medium. What better form of artistic expression could capture an illness that invokes delusions? Due to the subject matter of the story the sequence of events jumps around in places. For instance the story opens up to a scene that takes place much later in the timeline, but it’s a fitting spot to start at. This is where we meet Jeremy as he walks down a busy road in freezing cold weather wearing only a hoodie. After his collapse into the snow we’re talking to the start of our timeline. We find Jeremy and his friend Lee goofing off in the library before they’re harassed by some stuck up girl who feels the need to pick on Jeremy specifically. He leaves not wanting to be verbally abused anymore and we see him run into his crush Erin. The problem is that one of the few friends he has is dating Erin so he has no chance with her. We continue with his day and seeing what his norm is by following him home on a city bus. A woman begins yelling at him telling him to tell her the future that he sees with his binoculars forcing him to get off the bus blocks before his real stop.

Jeremy has another problem that’s starting to affect him, he doesn’t sleep. He tries to but his mind ends up wandering instead making him extremely tired and moody. We see some of the good that’s in Jeremy’s life like getting a hard to find album, but mostly his life continues to be difficult. He has a ton of attitude with his father, but it’s clear that both men don’t really feel anger towards each other, they’re just frustrated and don’t know how to communicate. After some bullying Jeremy freaks out in class and is suspended; this is also around the time that he begins having delusions 24/7 and starts believing that they’re real.

Looking Straight Ahead CoverThis story comes across as a deeply personal piece of work. I’m not going to assume to know or speculate on Elaine Will’s history, but I will say that she handles the subject matter with grace and maturity. I think of Polarity which also deals with a mental illness, but unlike Look Straight Ahead, Polarity didn’t handle the subject matter with the same couth. You can’t help but feel for Jeremy and relate to areas of his life. Just about everyone has been picked on or felt out-of-place before and that’s Jeremy’s every day experience. That doesn’t mean you just feel sorry for him when his delusions hit, but rather you want to understand what’s happening to him as much as his parents do. Will does an incredible job of making a story that is relatable and interesting.

As strong as the narration is, the visual storytelling is superior and Will relies on that for much of the story (also that’s not to say that the narrative is bad by any means). As I said, what better medium is there for this subject matter? Will is able to show Jeremy’s visions and twist them into the story to become more than just drawings and out-of-place images, but meaningful contributors to the plot and character’s journey. The story is mostly in black and white with a few well-placed colored panels which is a huge strength of this story. The black and white allows Will to play with the contrasts and negative space that full color wouldn’t allow for. Personally I really liked Will’s style and would definitely like to see more from her. Her style is very cool and something I’m drawn to when picking out a story to read.

This is a book that probably won’t appeal to everyone. Not everyone wants a window into a mind with problems, but if you’re interested to see how others think and more interested in their journey to overcome their problems then you’ll find this to be an incredibly motivating story. It actually took me a while to sit down and review this one because it left me thinking well after I was done reading. Any comic that can do that is worth a purchase in my book.

Score: 5/5

Writer/Artist/Creator: Elaine M. Will Publisher: Cuckoo’s Nest Press Price: $19.95 Release Date: 10/30/13 - Comic Shops and 11/12/13 - Books Stores Amazon Pre-order Link Website

Group Review: Sex Criminals #1

If you haven’t heard of this series yet then… wow. How’d you manage that? Seriously this book has been making the hype rounds so we’re going to break it down as a team and let you know the dead. Each of the writers/reviews of Comic Bastards will give the issue a score of: Buy, Borrow or Pass along with a short reason for the score. First here’s a blurb from Image Comics about the book: Suzie's a normal girl with an extraordinary ability: when she has sex, she stops time. One night she meets John...  who has the same gift. And so they do what any other sex-having, time-stopping, couple would do: they rob banks. In the vein of THE 40-YEAR OLD VIRGIN and BRIDESMAIDS, Image Comics invites you to come along with MATT FRACTION (Hawkeye, SATELLITE SAM) and CHIP ZDARSKY  (Prison Funnies, Monster Cops) for the series that puts the "comic" back in “comics” and the "sexy" back in “sex crimes.”

Steve: BUY

There’s a lot of sex in comics these days, but ironically in a book called Sex Criminals, it doesn’t feel superfluous or forced. This story about time-stopping orgasms and the angsty purveyors of them, is actually quite sweet, very sarcastic and, to make a pseudo-sexual quip, “one hell of a ride.” What helps this book most, I think, is the vehicle of its storytelling.

By page three, Fraction makes it obvious that this story, or rather its main female lead, is self-aware. While that makes some of its messages heavy-handed at points (I’m sure intentionally so, but that doesn’t make them feel any less forced), there were more moments that elicited solid snickers out of me. The dialogue between his two main characters when they meet is a standout: effortlessly light and organic, it’s easily the most amusing and touching part of this book, which as a whole is a personal tale of spunk through loneliness.

Altogether, Sex Criminals #1 is a fun but heartfelt “romp” with a great ending that introduces perfectly a premise I wasn’t immediately too excited about. The art may be a bit simple, but it’s also colorful, bright and deceptively daring. It also has great visual timing, which is essential in a book like this. With all this considered, one thing is for sure about this book: good things are coming.

Adam: PASS

Well, I guess the only thing I can really say about this book is the cliché that ‘sex sells.’  So this book will probably sell a ton of copies.  Other than that, I didn’t really find any depth or substance to this book.  I got the ‘sex’ part loud and clear but I’m still left wondering what the whole ‘criminal’ part entails.  The fact that they both were wielding guns at the end when they got out of the bathroom was interesting and will probably allude to that, but not an interesting enough cliffhanger where I’ll care to follow along.  I also felt like a perv reading it which I don’t necessarily aim for in reading comic books.  It’s a pass for me.

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Kevin R: BUY

Matt Fraction has had a series of hits over the last year-- Hawkeye, Satellite Sam, and his Fantastic Four books immediately come to mind-- and here, we have his second independent book of the year, Sex Criminals. It’s a book that transcends its concept: two people who, once achieving orgasm, stop time, hook up and find out their mutual power. Once they find this out, they decide to do the obvious thing: rob banks. It’s a really, really fun book that, like I said, rises above the R-rated comedies that it is compared to in solicit text.

Complimenting Fraction’s pop-art writing is another in the string of awesome artists, Chip Zdarsky. Zdarsky brings Fraction’s prose to life in a way that is both clear and tasteful. A book about sex, you would assume, shouldn’t be as nice as this. Especially since it’s a comic book in 2013. God, I love this book so much, and I can’t wait to dive into the next issue.

Samantha: PASS

I can’t really say I didn’t like this book. But I didn’t love it either. What I enjoyed was the bright colors and that dirty sex coming alive through the artwork. I also like the idea of two people who orgasm together and then rob together. It makes for some light reading and inappropriate jokes.

What I don’t like about it includes the sex being too raunchy. I don’t need to see a middle schooler getting off to running water. I also think that while the story sounds interesting it is was poorly executed. I mean where can you go with organisms and robbing banks? I can’t think of any plot points for a whole comic series.

I was in between moods about the whole sex thing. At first, it seemed like the comic was making some sort of joke towards our obsession with sex and how it controls everything we do. Then I realized that I think this comic may just be buying into that very idea. Who knows, but for me a definite pass.

Dustin: BORROW

Well this book offered some surprises, but mostly fell in line with what I expected from it. I am not a fan of Matt Fraction. I know that's blasphemy to say as a comic fan, but it's true. I'm glad that others are and that his stories bring new people to comics. I'm glad that people were excited about this series and that it will likely sell out because that's good for comics. The thing is I find his writing to be to well researched. I don't doubt that the writer's he mentions in this issue are writer's he enjoys, but the way their presented comes across as very hipster. Fractions writing always lacks heart for me, especially his independent stuff. His Marvel stuff he manages to find it on occasions, but I've never read his creator-owned material and thought "damn this story feels genuine." Instead it feels like someone put in a lot of research and presented that research in the form of a fictional story.

Anytime you break the fourth wall it sucks. It rarely works and even then it's limited to comedy. It especially doesn't work in comics. It's quite possibly the boringest thing to read. That said I have no idea how else Fraction could have presented this tale. On one hand it's the only possible way, but on the other hand it severs any emotional connection you would develop with the characters. When Suzie's dad dies any empathy you'd feel for her and her mother is completely shot when older Suzie says, "the jokes are coming I promise." My thought after reading that line was, "I didn't know I was supposed to be laughing already." The thing about a comedy is that you don't tell people it's a comedy in the narrative. I've never watched a comedy and had the characters say, "hey guy... you laughing yet?" Let me tell you right now that it does not work in the context of a comic book either. There were moments in the comic that were okay, but basically anything involving sex was just cheesy. It was sexy and it wasn't even funny.

The art was good, but I would love to see it outside of this story. I do applaud the creators for not showing female nudity as it could have been an easy addition that would have moved issue. I'm serious about that last part... though I could have done without the dong scene as well. Overall I think you should read it for yourself and decide if you like it or not which is why I went with borrow. Personally I doubt I'll be back for issue two. Also the two movies that Image compares this book to is way off... like way off.

Score: 2 Buys, 2 Passes and a Borrow

Writer: Matt Fraction Artist: Chip Zdarsky Publisher: Image Comics Price: $3.50 Release Date: 9/25/13

Review: East of West #6

Reeling from the actions undertaken by Death and his crew two issues ago, which led to the overthrow of The People’s Republic, the accumulated leaders of the other carved up sections of this Old West-meets-Hi-Tech, parallel America meet on the neutral ground of Armistice to talk traitors, dead allies, new enemies and of course, the end of the world. As they do, a decisive rift is formed, and this council - made up by the apostles of a still-mysterious apocrypha known only as “The Message” - turns on itself, outing their so-called traitor. Now, the next little bit may contain spoilers, so if you’re not caught up with this book yet, AVERT YOUR EYES. Oh, and shame on you, by the way.

The disenfranchised member of the council is, of course, the wizard-looking former man of the law (but not in the way you think), Mister Bel Solomon. What follows in his flee is a story that may not include any of the major players introduced thus far, like Death, his now-empress (ex?) wife and the three horsekids of the apocalypse, but one that further develops the boundaries of this world quite nicely.

In fact, in East of West #5, Hickman and Dragotta are doing some serious mythos building, particularly by introducing the origins of its band of vengeful (yet just) lawmen called (big shocker here) Rangers, who, after a very personal instance of political corruption, take the law into their own hands. Unfortunately for the corrupt, those hands are already filled with guns!

eastofwest6-covI love the motivations of this group - or rather, its leader, who takes point in its origin tale. He may be the only truly “righteous” character we’ve seen thus far in this book, which puts him at odds within a world of villainy. So beholden is he to his moral code, in fact, that no evil or unjust thing is safe, including the messenger of the apocalypse: a man who once tried to save his life, but became swallowed by injustice along the way.

Once again, Hickman’s stamp is all over this book, and I love how he is always able to create from the outside in, all the while erecting these ornate narrative pillars (in this case, the Rangers) to give the whole structure a firmer foundation. We also get a keen glimpse into the politics of at least one sliver of this fractured world, shaped as it is in the Wild West framework.

This, of course, comes in direct and stark contrast with the “New China” verve we’ve been getting previously, and shows just how rich East of West truly is. In that way, it’s a lot like seminal Jackie Chan vehicle, Shanghai Knights ... but actually entertaining.

Dragotta’s art here continues to be an uncomplicated treat. At times poppy, and at others monstrous, this issue’s visual direction sees even more fantastically weird character designs. There isn’t much of any background art to speak of, which is a shame knowing what he’s capable of, but what we see up-front is great: gnarly black magic, atomic-powered and adorable robot pig-dog things, metal mustache/red visor combos; it’s got it all! The look and feel of this world is dusty, gritty, dark and fallow. Completely grim and entirely beautiful.

East of West continues to be a great, pulsating vein of a story, even when it splits and bends in other directions. Hickman and Dragotta have revealed a wicked new facet in this world of theirs and I for one am all-in for mining its depths further.

Score: 4/5

Writer: Jonathan Hickman Artist: Nick Dragotta Colorist: Frank Martin Publisher: Image Comics Price: $3.50 Release Date: 09/25/13

Mega Man Board Game To Hit Kickstarter Soon

Yeah don't look for logic here, but I'm sure some people are instantly interested... including the dude posting this. At GenCon Jasco Games announced that they would be making a Mega Man board game and then on their Facebook page they revealed that they would be heading to Kickstarter to rally support for the project. I guess we'll be keeping an eye out for it, but in the meantime here are some game pieces that are pending Capcom's approval.

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Review: MC Chicken (Bulletproof Chicken Bonus)

One of my perks for supporting the book on Kickstarter was receiving a second copy of the book in which writer Jon Westoff went through and replaced almost all of the dialogue. I thought this would just be like a Mad Lib gone wrong in which you read it and you laugh at how poorly the word fits with the rest of the sentence, but Westoff out did himself. My version (can’t speak for anyone else’s version) can best be described as the “MC Hammer” edition with a subtitle of “featuring Vanilla Ice”, but Westoff just calls it the MC Chicken edition. Westoff went through with white out and stickers and wrote over 95% of the dialog and replaced it with MC Hammer and Hammer lyrics. That’s right, not just 90’s Hammer, but late 90’s Hammer. I have great handwriting so I’m not going to compare him to myself, but if I didn’t know better I would swear that his hands were broken and he had the pen between his butt cheeks. I kid because really it didn't matter the journey and experience was well worth it.

Mc Chicken - Bulletproof ChickenOther than that it was crap.

Just kidding it was actually really fucking funny and I’m likely to be singing “Go Ninja, go ninja, go” for the next few days.

Surprisingly a lot of it worked and didn’t read like a Mad Lib at all; more like a tribute to a rapper that I will never forget (pours one out). Though I would have appreciated one joke about the cartoon show thrown in for good measure. Also I would direct to Mr. Westoff to the following video on Comic Bastards in which a Hammer song makes a familiar appearance, though I take no credit for that.

Overall, it was funny and worth kicking in the extra bucks for. If you got a copy as well then I think you’ll enjoy it. Oh and no this really didn’t need to be reviewed, but it does give me an excuse to double score it, so suck it… hard.

Score: 5/5

Writer: Jon Westoff Artists: Bob Ornelas and Mat Nixon Publisher: King Bone Press Price: $3.99 Website

Review: Bulletproof Chicken (One-Shot)

When I talked to writer Jon Westoff about this series he felt that my overwhelming enthusiasm for it would ultimately let me down when I read it. He was fucking wrong. This book delivered everything I wanted. Action, crazy violence, and a story that was familiar but filled with anthropomorphic animals. Was it a touching story about two partners taking on crime in the city? Fuck no, it was a hilarious story about a giant chicken that plays by his own rules and always has a one-liner cued up for his latest victim. The story, if you don’t recall from our exclusive preview, opens with BP (Bulletproof) kicking in the door to Harold’s Shack and shooting the place up. His partner Ed tells him that he’s going to get him killed, but BP promises him that he’ll die before he lets that happen. They take out the two lizards behind the counter and head to the back room. There they find BP’s wife tied up as a hostage; her left leg has been cut off and likely served in the restaurant. This enrages BP who then steps into another room and begins shooting up the place. Needless to say this night is going to change everything for our characters.

BPCpromosmall-1The story is great and reads very quickly. Aside from the humor the action and violence is awesome. Westoff’s humor is very reminiscent of Adult Swim and a variety of internet animations that are geared towards adults. The pacing is great for the humor and plot. The creative team is counting on you seeing where the story is going to go and rather than dance around it they just get you there. The point of the story is to enjoy the characters and the action not to guess about the consequences of that opening night. My one and only gripe is that I wanted more of BP, but the smaller doses of his character do serve to make him more enjoyable and impactful. Also I enjoyed the fact that the wife had no dialog, I don’t know if it was intentional but it amused me and was better than her having filler dialogue.

The art is awesome. I know that’s like the most amateurish way to describe it, but that’s the route I’m going. Anthropomorphic animals seem like an easy thing to illustrate, but anyone that’s tried and failed at drawing a Ninja Turtle or Usagi Yojimbo can tell you otherwise. Ornelas and Nixon do a great job with the story and violence. I don’t know who is matching whose style, but they actually do a really seamless job with the art. I think Halvorson’s coloring really brings everything together and sets the tone of the story as well. The art team as a whole really brings the story to life and keeps it humorous, by making the art serious.

I hate that this is a one-shot. I hope that the team tackles other action tropes in a similar and hilarious manor. I’m thinking Ducktales for the sequel to this issue, but other stories would be fine as well. This is a very funny and well-made one-shot. As a Kickstarter backer I was privy to some goodies and all of them were of great quality. For a book that is anything but serious, King Bone Press took it very seriously and delivered a great product. When the book becomes available on their site you should definite grab yourself a copy.

Score: 5/5

Writer: Jon Westoff Artists: Bob Ornelas and Mat Nixon Publisher: King Bone Press Price: $3.99 Website

Review: Next Testament #4

How can you not just comment about how sick this cover is? Well it is sick. Haemi Jang brings the perfect colors and imagination into this series. I can’t get enough of his rainbow horror. It is hard to compare this issue with last month’s. I don’t think anything could get that good and just perfectly gory. Although it isn’t as much of an explosion, this issue hit right where it needed to. The issue picks up where it left off last time. I love how Next Testament is taking such a short amount of time in each issue. I touched on this last review, but I really dig the whole time thing here.

Tristan and his gal pal are about to crash on a plane ride. This is all orchestrated by God. Ok I am just going to throw this out there, but I kind of like this God figure. Clearly, he is mental, but he is so interesting. The way he words things after killing millions of people makes him look like the good guy. It is amazing, and I find myself sometimes captivated by his allure. Anyway, God has stop all aviation movement and then proceeds to take away phone function as well. Julian thinks it is best that he take God to Hollywood, since our world revolves around this heavily. God is disappointed to say the least. This is one of those times that I agree with him. His words flow so nicely and describe Hollywood perfectly. I don’t agree with his actions but at least he has strong motives.

NextTestament_04_preview_Page_1Tristan and Elspeth survive the crash. They are still trying to make their way to Providence in search of the library. They think this will hold the key to God. With their resources becoming low, I think the two may be a while in succeeding at this. I find it strange how invested these two are with each other and this God. First, the God just because he is so powerful that I feel like most people would try to hide if they knew the truth. Instead these two are on some sort of mission to destroy him. Secondly, each other because if I was Elspeth I would say peace out and be done with Tristan. His family issues are beyond incapable to handle.

It still is crazy how little this comic does in an issue, but the massive amount of things it has to say. I would love to pick Clive Barker’s brain on the comic and get some sort of insight to where we are heading. I guess I shouldn’t say where we are headed, because the people in this comic are headed for death. That I am certain, but how we get there is the real question.

Score: 4/5

Writers: Clive Barker and Mark Miller Artist: Haemi Jang Publisher: Boom Studios Price: $3.99 Release Date: 9/25/13

Review: A Matter of Life (Hardcover)

This is an interesting graphic novel. As the back of the book says it’s “an autobiographical meditation on Fatherhood and faith” and that’s 100% accurate. There’s not really a narrative as is the case with most autobiographical works of literature. But what I find interesting was the pacing and structure of the story. Some autobiographical tales have a way of presenting a story or showcasing a journey throughout their pages. It’s difficult to look at your own life and be completely honest about it, but then to find a lesson in the years that you have lived. I was kind of glad that wasn’t the case here as Brown just gives you snapshots of his life. It very much is a meditation of themes as events in Brown’s life have an overall connection, but his journey isn’t done. A lot of the book is about his upbringing and growing up in the church and how eventually he moved away from being a Christian. To some that’s not a big deal, but his father was a Minister so the impact on his family and life was very different.

A Matter of Life CoverEventually he includes his first born son into the tale and it’s interesting to see the differences in upbringings; the effects of his father on his son and the differences in the relationships, but also the similarities.

Brown sticks to a pretty consistent 3x4 grid paneling for the story. Occasionally he’ll expand a grid to create an establishing shot or to expand the dialogue, but it’s mostly a 3x4 grid which is very impressive. The fact that he’s able to put so much detail into a small box shows his talent as an artist and storyteller. My first exposure to Brown’s artwork came in the form of A-E-I-O-U and he’s grown since then. I personally think that he’s autobiographical artwork is better than his Star Wars books, but obviously the subject matter is closer to him.

This book didn’t blow me away, but it definitely left me thinking and analyzing my own life, my own faith and I think that’s more of the point than anything else. So many graphic novels fade in and out of our life, but A Matter of Life resonated with me like few others have. I don’t know if it’s something I’ll pick up off the shelf each year and touch base with, but it’s definitely something I will visit again. It was a great read, but it was a better experience.

Score: 4/5

Writer/Artist/Creator: Jeffrey Brown Publisher: Top Shelf Comics Price: $14.95 Release Date: 7/2/13 Website