This is it, my friends. This is the end. The final issue of Loose Ends. If you’ve read any of my previous reviews for this series, you know how much I’ve been enjoying this series. So how does issue #4 stack up in relation to the previous three issues, but also to other books in the same genre? Does it pay off? Does it deliver on all the things it promised throughout the series? Read on for my review of Loose Ends #4.
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If you’ve read any of my other reviews you know that I’ve been really enjoying Loose Ends. You also know that I’ve got a soft spot for drugs and junkie stories, and more importantly crime fiction. And this book checks off both of those categories. Loose Ends is billed as a Southern Crime Romance, and luckily for me the crime part of that tag line is the thing that sticks out most. Not that I have anything against romance, really, I’d just rather read some hard-boiled crime shit.
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I like good crime fiction. I read it, I write it, I watch it. I am a fan of the genre because I believe that it shows up what a person is made of. It breaks right through all the bullshit and shows you the true nature of a person, what’s really in his or her mind and heart. Loose Ends is right up there with the best of them. It’s a book with a lot of characters and they’re all after something else (though we as the readers aren’t given all the information on what that may or may not be yet). Plus, it’s a beautiful book that’s gritty and violent, everything I look for in the genre.
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I know Jason Latour mainly from his art in Southern Bastards. I’ve been aware that he also writes comics for a while now, most recently Marvel’s Spider-Gwen. I’ve just never read any of his stuff and I feel like starting off with Loose Ends is kind of like running a marathon when I’ve only just learned to walk. This book had the sleazy/grimy feel to it that is everything I love about crime fiction. Everyone’s up to something and no one can be trusted.
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