Having won the Inkpot Award, won (and lost) multiple Eisner Awards and created the iconic and blood-soaked character the Shaolin Cowboy, cartoonist Geof Darrow is one of the most influential and revered cartoonists. As VULTURE says, "no one draws violence quite like Geof Darrow.”
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This is the second edition of Hard Boiled. It's written by Frank Miller, drawn by Geof Darrow, and colored by Dave Stewart. It originally came out in 1990, but I didn’t read it back then. Most probably because I was only five years old at the time. This is the first time I've ever read it actually, although I was aware that it was a thing that existed in the world before. Just never got around to reading it. I guess.
Read MoreLife is full of defining moments, events that completely reshape your perspective on reality. I've had my fair share, but sometimes they come without warning. You see, there's my life before I read The Shaolin Cowboy: Who'll Stop the Reign #1, and then there's after. Because a man can only do so much to resist cataclysmic disruption of his entire being, and a title like this was always meant to be the definitive tipping point. Read ahead for my thoughts before Billy's Happy Meal photo hits 9 likes.
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Geof Darrow’s slick, precise inks and stunning detail have amazed comics fans for decades, from his early work with Moebius to Hard Boiled, his first collaboration with Frank Miller, to the overwhelming success of his current series, The Shaolin Cowboy. Now Darrow provides incredible insight into his process by sharing the pencil drawings behind his meticulous inks in a huge hardcover collection, Lead Poisoning: The Pencil Art of Geof Darrow. Dark Horse Comics will release the oversized 128 page book, 9x12” HC and priced at $34.99, in July ahead of Darrow’s appearance at San Diego Comic Con.
Read MoreThis may be one of the hardest books to review I've ever come across. In fact, I'd argue nothing I've read can compare to this. Shaolin Cowboy: Shemp Buffet, collecting the Dark Horse era of Geoff Darrow's cult classic miniseries in hardcover, is evidence of an epic undertaking with over 120 pages of Darrow's immediately recognizable hyper-detailed linge claire style, meticulous from beginning to end. It's also an epic undertaking to read from cover to cover, a true endurance test. I can't quite tell how to classify this book. It's either a fascinating piece of experimental art or an insufferable oddity that only exists as evidence to Darrow's inexhaustible patience of drawing the exact same thing for months on end. Or maybe it's both.
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