By Dustin Cabeal

I’ve been a long-time follower of Dan Mendoza’s. To the point that when he launches a Kickstarter, I pay attention to it. Having been flooded with numerous requests for Kickstarter coverage over the years, I’ve grown to ignore the platform when it comes to comics, especially as big publishers have begun to abuse the platform as a pre-order type storefront. The Kickstarter for Sad Girl, Psycho Baby was particularly interesting because it seemed to have a different vibe than his Dollface Kickstarter, which was a title that instantly landed at Action Lab’s Danger Zone imprint.