By Patrick Wolf

Years ago I watched M. Night Shyamalan’s first bad movie: The Village. What’s interesting about The Village is that the film isn’t terrible in-itself. Had the movie been marketed honestly, I’m sure it would’ve received better reviews. The problem was The Village was advertised as a horror when really it was a romance, and that sat poorly with viewers. In many ways, The Girl in the Midnight Gown suffers from a similar fate.