By Daniel Vlasaty
I really enjoyed the first issue of this series. I thought it felt like a fresh and exciting entry into a genre of comic books that’s – for lack of a better phrase – bloated with a lot of crap. Wes Craig is telling an interesting and exciting story. And, while yes it kind of sucks that Craig’s not doing the art on top of the writing, Toby Cypress’s art is great and unique and really adds to the story. So how does issue #2 stack up compared to the first?
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By Daniel Vlasaty
Ghost and zombies and vampires – and all kinds of shit like that – have been done so many times in comics (and all other forms of media) that it kind of gets to a point where it’s like what’s the point of even trying? You got to think that everything you’re trying to do, someone else has already done, and probably better, too. You’ve got to know that anything you do make is going to be compared to the countless things that have come before it. You’ve got to know that any idea you’ve got, someone’s already had that same idea. This is the mentality I usually have before I go into a new horror book (or movie or blah blah blah).
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By Daniel Vlasaty
Before I moved recently I worked at a comic book store in Chicago called Graham Crackers Comics. I’m pretty sure that I got just about every person that came in to check out Deadly Class. Any time someone asked for a recommendation I would tell them about this book. I would scream at them about how awesome it is and how they need to be reading it! Like right now! What’s the hold-up! Jesus fucking Christ, check out this goddamn book already! It’s been one of my favorite books since it started coming out.
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By James Anders II
Ok, I love Deadly Class. I have been hooked from the first issue and find myself when I am reading it to be brought back to those wayward days of my own youth when I was a teenager, trying to be cool, trying to get laid, and trying not to look like an idiot.
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